While Batman may not have graced the silver screen between the 1966 and 1989 films, his presence was certainly available on television. In 1968, Filmation put out The Batman/Superman Hour, which featured The Adventures of Batman, an animated series that captured the tone of the TV series, yet still felt like the comic books. Olan Soule provided the voice of Batman, and Casey Kasem provided the voice for Robin. The show lasted one season. Batman and Robin made their next animated appearance in the classic 2-part story on The New Scooby-Doo Movies in 1972. The following year, Hanna-Barbera debuted Super Friends, an animated version of the Justice League, which brought some of DC Comic’s most famous superheroes (and a few created just the show) to the small screen. It was the place to get your Batman and Superman fix for a generation, and lasted in some incarnation for more than a decade. Soule and Kasem provided the voices for the Dynamic Duo for these shows. Funnily enough, Filmation put out The New Adventures of Batman in 1977, starring the voices of Adam West and Burt Ward. Like its predecessor, this show lasted one season. Except for reruns of the 1966-1968 TV series and the Filmation cartoons, Super Friends, and it’s 1984-1986 Super Powers spin-off (which was really a tie-in for the superlative Kenner action figure line), Batman was getting no love. (I will ignore the 1979 TV specials Legends of the Superheroes, in which Adam West and Burt Ward reprise their roles, which were shot on videotape with a laugh track. I haven’t seen them…yet).
When Batman was released in 1989, and became a huge hit, not only was Warner Bros. eager for a sequel, but they thought that the time was right for new animated adventures. Enter Bruce Timm and Eric Radomski. Together, they began work on what would become a series that changed animated action television. Going for a stylized look that was at the same time simple and complicated, and taking the tone from the Tim Burton films, the complicated characters from the comic books, and the excellence in animation from the Fleischer Superman cartoons, Timm and Radomski got to put the closest thing to the Batman comic books the screen has ever seen.
Debuting in September 1992, three months after Batman Returns premiered, Batman: The Animated Series became one of the Fox Network’s big afternoon hits. The show was so popular that the decision was made to produce a direct-to-video movie. Written by Alan Burnett and Michael Reaves, Batman: Mask of the Phantasm went into production. Warner Bros. executives were so impressed with what they saw, they decided to release the movie in theaters. So in December 1993, Batman: Mask of the Phantasm came out.
By December 1993, I was well into my junior year of high school. While I looked very much forward to the third Batman movie, and was a fan of the animated TV series, I didn’t get to see the movie. I wanted to, it just didn’t happen. As a matter of fact, I didn’t get to see the movie until I needed to write this. So with 21 years between its theatrical release and my first viewing, let’s get to it.
There’s a reason why Kevin Conroy has been cast as Batman so often in animation and videogames. Like Bud Collyer did for Superman on the radio and in cartoons, Conroy managed to change his voice in a believable way to distinguish Bruce Wayne and Batman. His performance his excellent.
Mark Hamill as the Joker is as legendary as Conroy as Batman. When geeks fight over who has done the best performance of the Joker, Hamill’s name is often cited. Hamill, a long-time comic book fan, truly got into the Joker’s derangement and deadliness. While his lines are sometimes far from great, he performs the role with such relish that one cannot help but be moved.
The courage it took to make the main “villain” a completely new character with the surprise ending that the Phantasm (who was a cross between Darth Vader, the Grim Reaper, and a comic book character called The Reaper, featured in Batman: Year Two) is actually Bruce Wayne’s love interest, Andrea Beaumont (Dana Delaney). It also rewrites Bruce Wayne’s history a little, having him actually propose to Beaumont. Her sudden departure helps him fully decide to become Batman.
The animation is pretty good, as is the background art. The creators went for an Art Deco feel to Gotham City that captured the feel of Tim Burton’s Gotham City while being distinctly its own.
The music is great. It’s based on Danny Elfman’s score from the films and is appropriate for the series, as well as the movie.
In the hour-and-15-minutes the movie lasts, I found myself bored at times. The movie goes back-and-forth in time, from the present to the time just before Bruce Wayne decides to be Batman. We see him try to take on criminals wearing a regular mask and getting his ass kicked (something that has become common since Frank Miller’s Batman: Year One). We see him meet Andrea Beaumont, fall in love with her, propose, realize her father is in with the mob, and lose her throughout the movie’s many flashbacks, all done with the cheesy wavy transitions that I thought had stopped being used sometime in 1983. Maybe it’s because I was chasing after a 20-month-old (who was super-excited to see Baa-Bah! on TV), but if I was bored with it, I imagine the original target audience of children may be, too. Maybe not, just my guess.
I love animation but there seems to be something with a lot of these modern superhero animated shows/movies in the sound quality. The voices of the actors are clear and concise, but they’re too clear and concise. It doesn’t sound like the characters are in a world consisting of life. And when background sound effects are added, they also tend to fall flat. Maybe it’s just me.
The Phantasm is a little lame. For a movie called Mask of the Phantasm, I expected more Phantasm. I understand that there was supposed to be the mystery of who the Phantasm was, but when he shows up, he’s really bad at what he sets out to do, and he really is no match for Batman, the Joker, or just about any mobster he comes into contact with.
Overall, Batman: Mask of the Phantasm is an enjoyable enough movie, which I’m sure fits right in with the TV series (I haven’t watched the show for a long time), but I seem to remember that the series was more interesting overall.
Still, the movie did well enough that Warner Bros. made two more animated movies, though both were strictly direct-to-video, so we’ll skip over them. It certainly was a good enough placeholder, as was the overall television series, until the next Batman movie came out.
I’ve been working on these essays for two years. I began watching and writing about Batman on the silver screen back in 2012, around the time The Dark Knight Rises was to hit theaters. At that point, I’d only done this sort of thing once, for the Nightmare on Elm Street movies. The plan stalled as life got in the way. I re-posted revised versions of the Nightmare essays (which I cleverly titled A Nightmare in Gautham) and then did a series of essays about Superman on the silver screen (From Krypton to Gautham) for the release of 2013’s Man of Steel. That fall, we experienced a Friday in Gautham when I took on Jason Vorhees and the Friday the 13th movies. By now, there were two Batman essays.
This being the 75th anniversary of Bob Kane’s (and Bill Finger’s) creation, I decided to finally finish the series.
It was a daunting task. Batman, like Superman, has been in a lot of movies and TV shows. Luckily, even his most famous TV incarnations eventually made it to the movies.
That’s nearly 30 hours of Batman, which somehow still doesn’t feel like enough Batman. It’s been quite an experience.
So sit back and let’s go to Gotham City….