Note: There will be SPOILERS here. Be warned!
Also, this is essentially a first draft. Because of grad school and other commitments, my time is very scarce. I haven’t added any images, or have even really re-read it. My apologies on any lost thoughts. Someday, I may revise it and repost. But for now, because a few people have actually asked me to write this…
In 2013, shortly after seeing Man of Steel, I wrote:
Overall, I really liked Man of Steel. It’s not as good as I’d hoped it would be, but it’s the best Superman movie we’ve had since Donner’s 1978 film, and it’s just different enough to be its own thing. I’m looking forward to what happens next. If Goyer and Snyder were smart (and they are) they’d go with a more personal story instead of the spectacle.
Well, David S. Goyer, Chris Terrio (who joined Goyer as a writer), and Zack Snyder didn’t go as personal as I’d hoped back then, but then, my views changed as well. After seeing Man of Steel a few more times on Blu Ray, my opinion of the film changed: I loved it. I find parts of it a masterpiece of fantasy/science fiction filmmaking. I understand why fans might not like the movie, but I don’t understand the vitriol the film has garnered in the last three years, either.
Naturally, I was excited when Warner Bros., DC, and Snyder announced Batman V Superman: Dawn of Justice. And now here it is and with it…well…a real clusterfuck of press. I saw it this morning as I write this sentence (11 hours after the film started), so my thoughts may change over time. Still, here we go….
The Super/The Day
Ben Affleck as Bruce Wayne/Batman. I’ve been a Ben Affleck fan since I first saw him and Matt Damon in Good Will Hunting. I haven’t seen everything he’s been in but I like him as an actor and director. He’s a talented guy who should option my Boston-based horror novel. I mean…um…. Anyway, here is a suave Bruce Wayne in public, a haunted, obsessed Bruce Wayne/Batman when he’s not, and a mean Batman. Affleck brings an urgency to the character that it needs. He is also the most Batman-looking of all the Batmen there’ve been. The opening scene of him racing through Metropolis to that city’s branch of his company as the end battle of Man of Steel plays out is great to watch. The dogged obsession he has over taking down Superman, who he sees as a global threat, is palpable. And, finally, the realization that he’s wrong is superb. His Bruce Wayne/Batman may be, in many ways, the most realistic one we’ve seen, which is something considering the juxtaposition of the fantasy elements of this film.
Jeremy Irons’s portrayal of Alfred makes me forget about Michael Caine’s Alfred, which I really don’t want to do. Irons plays a different Alfred and yet hits the essential notes of the character. It’s a thankless role in many ways since Alfred rarely sees action, yet this version seems as though he may loom large in the future Affleck-written/directed/starred Batman film. Either way, I loved the character and the portrayal.
Henry Cavill’s Clark Kent/Superman is still one I love. As was the case in Man of Steel, this Superman is conflicted, though he is growing into the role of the Superman fans love. He wants to do right by the world, and by those he loves in the world, but lives in a fucked-up time period. On the one hand, he’s the most powerful man in the world, on the other, no matter how hard he tries, he’s an outsider. The difference between him and Bruce Wayne is that Clark Kent is willing to let his feelings be known and attempt to become better. Wayne is fine with allowing his obsession and issues reign over his life.
Wonder Woman. Gal Gadot did a very good job as Diana Prince and the eventual reveal of Wonder Woman. I enjoyed watching the character come to life and make Superman and Batman look a little silly.
The rest of the supporting cast is great, too. Amy Adams turns in another great performance as Lois Lane, Laurence Fishburne’s Perry White remains a favorite, and I really liked Jesse Eisenberg as Lex Luthor. There are other great performances in this film, as well, like Holly Hunter and Diane Lane.
I liked the story. Look, it was all over the place, I’ll admit, but there was enough there for me to follow along and I liked it. I liked the way Lex Luthor manipulated things and the arrival of Doomsday. I even liked the–albeit forced–Justice League characters. I even liked the way it ended, with a giant question at the end of what can happen next. It made me happy.
Zack Snyder’s direction is heavy-handed. He is not a subtle filmmaker and he can’t pass up a frame that may look like a comic book frame. He’s a fan and it shows. I liked that. I also liked that he and the screenwriters are really trying to show the mythological components of these characters. Yes, it’s a little too Christian for my tastes at times, but it’s okay.
Vacant places. I’m going to throw in that whenever mass destruction is about to happen, we’re notified that no one lives in the place it’s going to happen. It’s ridiculous but it made me smile.
Hans Zimmer and Junkie XL did a great score. I loved it. Loved it. Loved it. I may have to get the soundtrack.
The Kryptonite/The Dark
Jesse Eisenberg’s Lex Luthor is under-utilized. I mean, he’s a major source of the conflict and I love what they did with him, but his ending was a little too Jokerish for my tastes. Maybe that’ll change.
The story is weak overall. Look, I liked the story, but considering the movie is 2 hours and 31 minutes, it could’ve been a little stronger. I would’ve liked to learn more about Superman/Clark Kent and his relationships with his Earth friends, and maybe see a little more Wonder Woman considering how important to the ending she was. There’s a lot going on, but it’s all very much at the surface without much depth.
Doomsday was a little weak in the looks department. That said, I still liked him. It’s weird, huh?
As I said before, the introduction to the other Justice Leaguers felt forced. I get what they’re doing, but I think it could’ve been handled in other ways.
It’s too dark. And I’m not talking about the look of it, though it is a bit too dark, but rather, the feel. There were small children at the viewing I went to and I felt bad for them. I’m going to write about this soon, by the way. So this is my little coming attraction, I guess.
The Dawn After the Battle
Like I said, I really enjoyed this movie. I enjoyed the characters, the situations, and the whole movie. It amazes me how many bad reviews this is getting. I have theories. I think that there’s a percentage of people who are growing tired of the superhero movie and at the very announcement of this movie, they began to dislike it. I think that even the stars of it are fashionable to dislike for some reason. I think that a lot of people go into the movie with preconceived notions of who these characters should be and aren’t willing to accept adaptations that fall outside that vision. In the end, it promised me a chance to see the two best superheroes onscreen together for the first time, excuse me, three best superheroes onscreen together for the first time, and they delivered it. Yes, it’s over-the-top in places. Yes, it takes itself too seriously. But so do most comic book fans, most nerds. We are the target audience, after all.
I really liked Batman V Superman: Dawn of Justice, and recommend seeing it without all the balderdash on the ‘net in your head. See it on its own terms. If you still dislike it, then so be it. But me? I loved this movie. I can’t remember the last time I left the theater this happy.
For 75 years, Batman has thrilled audiences. His story appeals to many children, teens, and adults because he is the outsider who relishes his role as the outsider and has worked himself to be the best at everything so he can help people. He began as the dark vigilante of the night in the 1930s and became a moral but harsh crimefighter and adventurer in the 1940s, a friendly father figure during the 1950s, a pop culture icon in the 1960s, went back to his dark roots in the 1970s, grew up in the 1980s, sold out in the 1990s, and came back stronger than ever in the 2000s. Throughout, the creation of Bob Kane and Bill Finger has changed as we have, his story has been our story, just as any good mythological character is.
Before The Dark Knight Rises was released, word had already come out that Batman would be rebooted in the coming years. This came as no surprise since Christopher Nolan’s Dark Knight Trilogy could only really exist in its own world. With Man of Steel, Warner Bros. and DC Entertainment wanted to begin their cinematic universe. In July 2013, at the San Diego Comic Con, Zack Snyder and Warner Bros. announced that the sequel to Man of Steel would be what was then tentatively titled Batman vs. Superman.
By the fall, news was released that the world’s next cinematic Batman and Bruce Wayne would be played by Ben Affleck.
The movie, officially titled Batman v. Superman: Dawn of Justice, will officially launch the DC Cinematic Universe in March 2016 and will begin flooding movie theaters, along with Marvel’s movies, until 2020. For the most part, this seems intriguing, but I’ll really be looking to see how Batman and Superman fare.
For me, Batman is a very versatile character that has had a strange cinematic history. I long for the day someone attempts a great adventure, in the realm of Mike W. Barr’s phenomenal Batman: Birth of the Demon, or an alternative history version, like Brian Augustyn and Mike Mignola’s Batman: Gotham By Gaslight.
In the meantime, I look forward to seeing Snyder’s and Affleck’s take on Bruce Wayne and Batman.
And I look forward to sharing my thoughts with you about it.
The deranged traditions of science fiction “fandom” are overwhelmingly attractive, particularly to those few boys and girls who are the outcasts of their high school classes because of wonky thought processes, a flair for the bizarre, and physical appearance that denies them the treasures of sorority membership or a position on the football team. For the pimply, the short, the weird and intelligent…for those to whom sex is frightening and to whom come odd dreams in the middle of study hall, the camaraderie of fandom is a gleaming, beckoning Erewhon; an extended family of other wimps, twinks, flakes and oddballs.
– Harlan Ellison
“All the Lies That Are My Life”
I have been a fan of comic books, science fiction, fantasy, and horror for a long, long time. Comic books began coming into the house at a very young age, as did superhero toys. Star Wars caught me quite young, as well, and opened up a lot of possibilities in both storytelling and the beginnings of science. Horror was huge in the 1980s, when I was a child, and by 1987, I was a full-fledged horror fan.
I’m not a stranger to fandom. Everywhere I look around my workspace I see something that indicates fandom. Indiana Jones, Star Wars, and literary figure action figures are to my right on a bookcase (that’s devoted almost entirely to Stephen King books). Freddy Krueger and superhero action figures are on the Harlan Ellison bookcase. There are other strange tchotchkes around my work area, too. Hell, this very blog has seen me geeking out, or being a fan many times.
After the last few weeks, though, I think I might have had my fill. I may be ready to turn in my geek card. I may be ready to walk away from fandom.
The first incidents that irked me came through the news two weeks ago. In one week, Todd McFarlane, Mark Millar, and Gene Conway essentially said that comic books have always been for guys and if a woman is interested in them, they just need to accept that. I’m paraphrasing, of course. But you can look it up.
As a parent of two daughters, one of whom is a 15-year-old who is discovering fandom, this gets me very angry. It leads to the bigger discussion that has been popping up in the last year or so about the mainstreaming of Geek Culture and, especially, Geek Girls.
The first idea is that Geek Culture exists because it is a safe haven for those whom Harlan Ellison so eloquently write about above, the kids like me, whose minds are faster, weirder, and more prone to flights of fancy that others in their peer groups. Kids to whom social interaction is a difficult thing. Kids to whom the idea of people with powers, or flying around time and space in a police box, or any number of other scenarios are more comforting than going to a party. Now, suddenly, people who were never considered geeks, or ever considered themselves geeks, are going to see the movies that feature these symbols of adolescent impotence and calling themselves geeks. They’re going to ComiCons and wearing tee shirts with the symbols of these fantasies on them. And, goddamnit, how dare they it belongs to US!
The second idea is far, far uglier. The second idea is that attractive young women aren’t allowed to call themselves geeks because they are attractive and girls. A fat, pimply, odd girl is acceptable because the Omega Moos know what it’s like to be ostracized because of their looks or their brains, but the pretty ones do not. How dare they wear superhero- or science fiction- or horror-themed tee shirts?! How dare they call themselves geeks?!
Both arguments are total bullshit, of course. The mainstreaming of geek culture means we won. It means that all those lonely nights working on whatever dreams we had are paying off. We’ve watched them and we’ve reported back on their lives and they’re giving us their money for it. The Geek Girl argument is just simple paranoia that builds when one has been bullied too much. It’s the thing that makes us not trust the pretty, the beautiful, the self-assured.
That’s the first piece of ugliness.
The second piece of ugliness is only 48 hours old. Thursday night, Warner Bros. announced that the actor chosen to play Batman in Zack Snyder’s follow-up to Man of Steel, joining Henry Cavill as Superman, would be Ben Affleck. I wrote about the decision here. I like it. I think Affleck is a fine actor, a very good director, and he will be fine in the role of Bruce Wayne/Batman.
Well, it seems the fanboys/-girls don’t agree. Online petitions have been started trying to oust the actor from the project. Memes ridiculing the actor have gone viral. The sad thing is, these fuckers will be buying the goddamn action figure in droves in 2015 (as my friend RJ Sevin said). These numbskulls don’t remember the hoopla surrounding 1989’s Batman when it was announced that Jack Nicholson would be playing the Joker and Michael Keaton would be playing Batman. Nicholson sounded great, but Michael Keaton?! Mr. Mom?! Beetlefuckinjuice?!
I was too young to know the severity of it in Xeroxed fanzines and letter columns of various magazines, but I’ve heard stories. I remember the mainstream media was also shocked and dubious. No one thought Michael Keaton would make a good Batman. And yet…the fans were so very sad when it was announced that he would not be reprising the role in the third Batman movie, 1995’s Batman Forever. Even after the disastrous Batman & Robin (1997) fans held out hope that Keaton would return to the franchise. A few years back, these same fanboys were upset about the casting of pretty-boy Heath Ledger as the Joker, and look how that turned out!
The brouhaha over the casting of Ben Affleck would be amusing to me if it wasn’t so vicious and coming from the “professional” websites of the comic book industry. And on the coattails of the other two problems I wrote about above, it’s enough to make me think that maybe…maybe…I’ve had enough.
I mean, I don’t have to stop liking the stuff I like. Maybe I don’t even have to stop writing about the stuff, though I have to wonder if my essays on the Nightmare on Elm Street and Superman movies are a teeny, tiny part of the problem. I like to think that they’re not unnecessarily mean, but let’s face it, they’re written by a fan for a fan. But maybe it’s time to leave the reading about such things behind. Maybe it’s time to unfollow Newsrama, and the Batman sites, and the other sff sites that have this attitude. I’ve already decided that there will not be any more money given to Todd McFarlane (though I made that decision back when I found out how much of a liar and thief he actually is).
The problem is that the fans of these types of stories will talk at length about heroism and strength, of openness and inclusion, of progressive action and of harmony among all. And yet, when it has come time for them to act as the fictional heroes they worship, they have failed. Not all of them, but a vocal segment that seems to be, well, quite large.
Groucho Marx used to say that he wouldn’t want to be a part of any club that would have him. I’m thinking that this might now apply to me and fandom.
Prove me wrong.
I never did get to post my thoughts on the Superman/Batman movie that was announced at the San Diego Comic Con. I wanted to but it just sort of slipped away.
I’m excited about the Superman/Batman movie, though not as excited as I was 10 years ago. I liked Man of Steel well enough and am interested in what they could do in the future. There seems to be a sort of apathy about the movie in some circles, while other non-comic book readers can’t figure out how the two heroes could possibly be put together. It’s not like the comic books have been doing it for nearly 75 years or anything. I guess the biggest thing is to remain faithful to the concept of the heroes, which in itself is controversial.
Many have been very much against the way Superman was portrayed in Man of Steel, and the idea that it was his first outing and he was new to the superhero game doesn’t seem to be answer enough to those concerns. When all is said and done, I had mixed feelings about the details of Man of Steel but liked the feel of the character well enough to want to see him again. It will be interesting to see how this works with a new Batman.
Which leads me to the news that may break Twitter and Facebook and the interwebz: Ben Affleck has been cast as Batman/Bruce Wayne for the movie.
I like this casting. I’ve always liked Ben Affleck. Yes, he’d made some bad movies, but every actor has. He got a bad rap for awhile that I feel has been undeserved. I always thought he could be his generation’s Harrison Ford, given the right opportunities. I suspect that he will bring pathos and ethos to the role.
As far as speculation on story, who knows? I’d love it if Lex Luthor employed the help of billionaire philanthropist (and rival) Bruce Wayne to help rebuild Metropolis after the events of Man of Steel, and perhaps even try to coerce Wayne to help build an army to keep Superman in line. As the Dark Knight gets to know the Man of Steel, and as Wayne gets to know Luthor, he realizes it’s not the Kryptonian who’s a danger, but the Human.
That’s my pitch. I’ve been wrong in every way whenever I’ve speculated about these movies. We’ll go in 2015 and find something better, I’m sure.
But those are my thoughts. Either way, I’m sure it’ll be a fun ride.